London’s art scene is about to get a bold, boundary-pushing injection of South Asian creativity. This spring, (Un)Layering the Future Past of South Asia: Young Artists’ Voices will take over SOAS Gallery, featuring works from 26 emerging and established artists across six South Asian countries. Opening 11 April 2025, the exhibition presents a powerful mix of painting, sculpture, textiles, photography, video, and installation.
This showcase is not just about individual expression; it’s about collective resilience, shared histories, and cultural interconnectedness across India, Pakistan, Bangladesh, Sri Lanka, Nepal, and Afghanistan. With many artists exhibiting in London for the first time, this is a rare opportunity to witness new perspectives from a region marked by tradition, tension, and transformation.
The exhibition, curated by Salima Hashmi and Manmeet K. Walia, delves into urgent themes like gender justice, displacement, ecological fragility, and political unrest. These works aren’t just visually stunning—they’re calls to action, encouraging dialogue on the realities shaping modern South Asia.
According to curator Salima Hashmi, the exhibition reveals how history continues to shape contemporary art. “The art emerging from the region carries a profound sense of history while embracing new vocabularies that address pressing concerns in South Asia today,” she explains.
Curator Manmeet K. Walia highlights the process behind the exhibition. “We’ve travelled across South Asia, meeting artists and tracing the threads that tie their work to a shared history,” she says. “This show is a journey of collaborations, connections, and discovery.”
Afghan artists featured in the exhibition include:
Artists from Bangladesh spotlight marginalized communities:
Indian artists explore themes of protest, oppression, and collective memory:
Artists from Pakistan bring a research-based approach to personal and political histories:
Sri Lankan artists tackle colonial legacies, migration, and civil war:
One of the exhibition’s most striking pieces is Hum Bhi Dekhein Ge (2024–25), a collaboration between Indian artist Purvai Rai and Pakistani designer Maheen Kazim. Inspired by the Partition of India, the project revives lost khes textile traditions, paying homage to Punjab’s once-unified artistic legacy.
Supported by The Ravi Jain Memorial Foundation and Dhoomimal Gallery, the exhibition marks a significant moment for South Asian contemporary art. Uday Jain, director of Dhoomimal Gallery, emphasizes its importance: “Young artists across South Asia grapple with similar issues—politics, memory, history, and identity. We are proud to support these varied stories.”
With its bold themes and boundary-breaking artists, (Un)Layering the Future Past is set to be one of London’s most thought-provoking exhibitions this year.
Source: https://londonite.co.uk/south-asian-art-exhibition-london/